Lectures

Held May 31st in the Hillier College of Architecture and Design’s Weston Hall Gallery and Lecture Rooms, these Lectures and Conversations will place industry professionals in conversation with academics, considering opportunities for vernacular technologies to shape the future of architecture.



Erroneous Imitations of Vernacular: A Material Kitchens Approach

Lola Ben-Alon

In Conversation with Myrrh Caplan, Vice President of Sustainability at Skanska North America

Colonialism material shifts prompted replacements, erroneous homage, or imitations of Native practices, as seen in the evolution from natural resins like Gutta Percha to Bakelite, the precursor of modern plastics, and from Indigenous adobe to brick construction. Today's material lexicon, encompassing petroleum, cementitious, and various chemicals, permeates geological bodies and our own biological systems. This lecture explores the significance of raw, non-engineered, and disobedient materials, highlighting variable substances and their transformative processes they embody, discussing historic imitations and categorizing them to their geological products, plant-based by-products, animal-friendly elements, fungi, and microorganisms. It suggests multiple types of “kitchens”: a food kitchen, a lab, a manufacturing facility, an art studio, a field station.


Vernaculars of The Expanded Borderlands

Rael will discuss how borderlands are a productive landscape for the exploration of contemporary vernaculars and how expanding this understanding has fostered experimentation, activism, & play, and innovation through craft and design.


Future Perspectives on Emerging Habitats

Sandra Piesik

in conversation with Sydne Nance from Henning Larsen

Changing paradigm shifts of human habitats driven by rising ecological awareness offer a great opportunity for a new engagement with a ‘bio’ planet from a bio-circular economy, bionics, bio-mimicry, and bio-materials to more recent concepts of bio-design. All of them are rooted in an often unspoken history of human ingenuity and millennia-old relationship with nature. ‘Future Perspectives on Emerging Habitats’ lecture will frame the contemporary adaptation of biomaterials in the scale of ecosystems and bioregions, territorial integration, and urbanism, as well as technology transfer. Based on ‘Habitat: Vernacular Architecture for a Changing Climate’ published in May 2024 by Thames & Hudson USA


Material Inventories & Adaptations

Katie MacDonald & Kyle Schumann

in conversation with Tri-Lox, a Brooklyn-based circular design, fabrication, and manufacturing practice that works with regionally, sustainably sourced wood.

The Industrial Revolution introduced standardized material dimensions and grading, enabling faster construction and reducing the skills required of construction labor. The Digital Turn enabled new form making through the translation of digitally rendered complex forms into toolpaths for CNC machines with the capability to transform standard sheets and boards into custom geometries. Today, the Biomaterial Turn foregrounds changing ecological and material ethics that necessitate alternative approaches to working with grown matter. By reconsidering our relationship to craft, construction practices, and fabrication technologies, architects and builders can leverage the embodied intelligence and grown form of natural materials – a shift in approach from specifying to strategizing.


Deep South Vernacular: Adapting to a Hot and Humid Climate

This presentation covers historic traditions in vernacular architecture, how they historically adapted to the hot and humid climate of the American deep south and how those adaptations may function in our contemporary hotter and more humid world.


Unfired Earth

Johan Jönsson

in Conversation with Matthew Adams, whose research focuses on the sustainability, resiliency, and long-term durability of innovative cement-based materials.

Before the Industrial Revolution, we used local, low-processed, natural materials that were often labor intensive and required long construction times. After WWII, the factories used for wartime production pivoted to producing building materials. Since the industry was used to the demands of war (with rapidity prioritized over long-term effects) it formed a system with little or no thought given to emissions, climate change, biodiversity loss or chemical load. This together with an optimistic mindset, availability of resources and cheap energy created an unsustainable system.Though we are now coming to realize that we only have one planet - we are still pushing it over its limits. Today the construction sector creates approximately 40% of the world's CO2 footprint, while also contributing to the depletion of natural resources, destruction of habitats and release of toxic chemicals. 

 

How can we use the knowledge of frugality from the past to create a more sustainable future? Can we mix the renewable, low toxic, easily recyclable and natural building materials with today’s demands of rapid construction times, building codes and picky dwellers? The focus of the lecture will be on how unfired earthen building materials can complement biobased materials in terms of fire resistance, weight, moisture handling, acoustics, aesthetics, and load bearing performance. Issues that biobased materials often have problems with when used alone and on a large scale, in a modern construction  industry with strict demands for material  performance.


Biobased Building from Equity to Aesthetics

David Lewis and New Frameworks will discuss value and the inherent beauty of natural materials.  They will work to understand how innate material qualities create beauty, value, utility, and equity.   David will bring to the conversation knowledge gained while working on the recently released book, Manual of Biogenic House Sections, and New Frameworks will offer their expertise in natural construction methods with a focus on straw in contemporary construction.  They will each approach the conversation from their unique overlapping viewpoints grounded in the realities of construction, the design profession, the academic world, and their own emergent bodies of research.